It’s just taking up frequencies the bass or drums or organs or tenor instruments can occupy. All that low end in the guitar? It’s useless in the small speakers. Recording & mixing solely on studio monitors is foolish. It’s unlikely whoever is buying your records has anything better than an average hi-fi, boombox, car stereo, or ipod. “It’s the very naive producer who works only on optimum systems.” -Brian Eno Bill Moriarty, record producer and Highrise customer ( case study), offers some interesting advice to other producers at his blog: Mix Records on Crap Speakers.
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